故事改编(biān )自杰夫·(⏮)伯曼(🥛)的(de )同名(🚉)纪(jì(🎧) )实回忆(🌾)录,讲(👒)述当(dā(😝)ng )年他(🖥)在(zài )终(🏿)点等(👜)待(dài )参(🐑)赛的(🌈)女(nǚ )友(🛳)时,不(♐)幸遭遇(🎭)(yù )炸(📬)弹袭(xí(🛺) )击,失(🎩)去双腿(📄),并(bì(♏)ng )重新生(shēng )活(⚪)的个人(rén )经(😳)历。
闇(ān )金か(🕝)らの借金が(👢)返せず、ス(🔉)ナックで強制(zhì )的に働らかされている、満里奈、優梨、鈴。3人(rén )は自閉症(zhèng )の進ノ介(jiè )の家に転がりこみ生活(huó )して(👜)いた。3人は女(🏒)(nǚ )性(🍩)が苦し(🛡)む姿(🚪)を見て(🗼)快(kuà(📩)i )楽を楽(🤘)しむ(🥦)という(🚃)変わ(🎰)った癖(➰)を持(🎟)(chí )って(🗣)いた(📺)。捕まえ(🔀)てき(🌵)た風俗(👃)嬢(niá(🌜)ng )をさんざん(🍘)いたぶり、(💸)殺(shā )害しコ(🗨)ンクリート(📮)に固めて捨(🌔)てていた。ヤクザの愛人である美麗を捕まえてきて、新たなえじきにする3人(rén )だった…
前滑雪俱(jù )乐部种子选手,现任(🍒)雪(xuě )场无照(🌗)小商(🍏)贩的女(🕰)(nǚ )孩(🙋)雅琪捡(👴)到了(⛽)一(yī )个(🌋)来自(👋)(zì )异世(🔥)界自(🥊)称滑雪(🚜)冠(guà(👼)n )军的英(🌪)(yīng )俊(🔭)青年穆(🏰)(mù )勒(📗)。雅琪(qí(🌭) )为了(🕤)骗穆勒的装(😵)(zhuāng )备和技(jì(😂) )术去参加比(👏)赛拿奖(jiǎng )金(🤩),谎(huǎng )称帮夺(🚱)冠(guàn )就可以(🥝)(yǐ )解(jiě )除他身上的“诅(zǔ )咒”送(sòng )他回家。于是在雅(yǎ )琪“身经百战”的五菱(líng )宏光里开始了他们(men )边卖货(huò )挣钱边训(🐹)(xùn )练的艰苦(📄)(kǔ )同(🧙)居生活(🉐)。
米希(🐊)(xī )尔与(📙)兄(xiō(🏘)ng )弟弗兰(🔩)克经(👷)营着一(🤚)(yī )家(🏏)小型建(🚷)筑公(😃)司(sī )。当(⛩)米(mǐ(🔀) )歇(xiē )尔(🐈)遇见(♌)蜜雪儿(🐳)的(de )时(🍤)候就(jiù )对他(😂)一见钟情了(🌆)。美雪儿是一(🏻)位房(fáng )产经(📳)纪(jì )人并且(🧤)手里攥着一(🍦)(yī )项大项(xiàng )目。为了(le )吸引蜜雪(xuě )儿的注意力,米(mǐ )歇尔先(xiān )要解决和弗兰克的(de )关系,因为弗兰(lán )克的计(jì )划开始(🔍)威胁他浪漫(🛫)(màn )的(🚏)设计(jì(🐎) )。
Set in contemporary New York City, Cacaya is the story of a young Brazilian woman, who ends her tumultuous relationship with an American man, and then discovers she is carrying his child. The couple's struggle to interact during the pregnancy, and to deal with the situation, increases the tension between them. The film interweaves this modern narrative with indigenous Amazon rainforest folklore and ancient Greek mythology of the Amazons, using the framework of German dramatist Heinrich von Kleist's 1808 tragedy Penthesilea.
两个(🐞)来(lái )自(😊)北京(🕹)和(hé )上(🈁)海的(🙆)女孩,带(🥈)(dài )着(🏣)自己(jǐ(👣) )的过(👷)去相遇(🏝)在318号(🔻)公(gōng )路(🎥),一起(🗜)骑行、(🔯)各自(🈳)找(zhǎo )寻(xún )、(📞)重新迷失、(🔙)又(yòu )再次自(🧠)(zì )我救赎。经(🌥)历不一(yī )样(🍧)的人和事后(🆖)如(rú )何面对(duì )生活、理解生命的(de )故事。
2014年克里米(mǐ )亚危机中(zhōng )一个关于爱、信(xìn )仰与忠(zhōng )诚的故事
Set in contemporary New York City, Cacaya is the story of a young Brazilian woman, who ends her tumultuous relationship with an American man, and then discovers she is carrying his child. The couple's struggle to interact during the pregnancy, and to deal with the situation, increases the tension between them. The film interweaves this modern narrative with indigenous Amazon rainforest folklore and ancient Greek mythology of the Amazons, using the framework of German dramatist Heinrich von Kleist's 1808 tragedy Penthesilea.
In Portugal, a father, a mother and a daughter's daily lives are being subsumed by the effects of the economic crisis.